HEROIC EFFORTS by the crew of a Galway hooker to save two brothers whose boat had capsized were praised by a priest at the funeral of a renowned Connemara sailor yesterday.

Fr Peadar Ó Conghaile told hundreds of mourners, who filled not just the church but also the grounds of St Mary's Church in Carna, that the four crewmen should get medals for bravery.

Seán Mac Donncha (67), known locally as Johnny Sheáin Jeaic, lost his life in the accident on Saturday morning as he and his younger brother Josie, went to take their traditional Galway hooker McHugh from Kinvara in the south of the bay to a regatta in Rossaveal. The boat capsized shortly after leaving Kinvara.

Mourners were yesterday told how the crew of Bláth na hÓige , which also left from Kinvara, came to their aid. The four men, Gearóid Ó Cualáin, Máirtín Ó Conghaile, Aonghus Ó Cualáin and Máirtín Ó Ceoinín, managed to rescue Josie but they were unable to save his brother.

"These men, especially Gearóid Ó Cualáin, risked their lives to save others," said Fr Ó Conghaile. The Carna parish priest said that, as in so many other coastal villages, loss at sea was all too frequent. Hundreds of mourners brought the small south Connemara village to a standstill.

St Mary's was packed from early morning and the mourners extended out on to the main road in the village.

They had travelled from the three nearby Aran Islands, Inishbofin and other offshore islands, as well as coastal communities from Cork to Donegal. Others had travelled from the United States where wider family members reside.

"We are all too familiar with loss at sea in these parts, yet there was enormous shock when the news came through on Saturday morning," Fr Ó Conghaile said.

"Johnny was a man who was renowned and respected as a man of the sea, a lover of the Irish language and Irish culture, and a great singer. He is an enormous loss to the community."

Mr Mac Donncha, from Ard West, Carna, is survived by his wife Barbara, daughters Kathy, Maureen, Roisín and Fiona, and son Seán. He was buried in Moyrus cemetery outside Carna.

No secret now as Spielberg's cover blown in Ireland!

Hollywood director Steven Spielberg has been on a secret summer vacation in Ireland.

Spielberg, along with his wife, actress Kate Capshaw, and their teenage son have criss-crossed the country from the windswept Aran Islands to the Burren to plush Rathmines in Dublin.

They stayed at Ballyvaughan country holiday homes in the Burren before moving to the east coast.

Officials have dampened down rumors that the Oscar-winning director is scouting the country for a movie location.

A spokeswoman for The Irish, Film and Television Network said: "As far as we are aware Steven Spielberg is not working on a film in Ireland at the moment."

Just last month, Spielberg and Capshaw did a "pilgrimage" walk in Ireland which included poetry, spiritualism and walking on Inis Mor and trips in County Clare.

There were concerns over Spielberg's fitness as he had to use an electric bicycle to climb the hilltop ruins at Dun Aonghas on Inis Mor.

read more 

Thanks IrishCentral.Com for the breathless report, but course readers of Aran-Isles.com already knew about Spielberg's trip from our earlier reporting. Spielberg-is-spellbound-by-aran

Robert Flaherty Feature Doc to Begin Post Production

31 Jul 2009 |

Robert Flaherty

 Solas Nua is a non-profit arts organization seeking  to support both feted and unknown work by contemporary artists in Ireland to promote awareness of modern Irish culture in Washington D.C.
 Solas Nua is the only organization in the United States dedicated exclusively to contemporary Irish arts. www.solasnua.org 

Aer Arann's very own Peggy Hernon has written a collection of short stories chronicling her experience working with Aer Arann Islands and life in Connemara. Peggy's colourful and descriptive style is sure to draw you in.
Peggy is a member of the Ground Operations staff at Inis Mor Airport. She was born in the Bronx in New York, attended NYU and worked on Wall street for 18 years. She moved over to Inis Mor in 1990 where she married Micheal Hernon, Inis Mor Airport Manager and has been living on the island ever since.
Below is a collection of some of her short stories of life on The Islands. We hope you like them!

Peggy's short stories

The Aran Islands lie eight miles into the Atlantic ocean, off the West Coast of Ireland, one the last remaining wild and natural environments in Europe.
To contact us please: Email here,
We're pretty busy so you can also keep up on Flickr as well as Twitter and our Facebook page.
Scattered  between sea and sky Seamus Heaney describes the  Islands as "three stepping stones out of Europe".  The island population is about 1,000 peopel most of whom converse in the Irish language. Almost a million visitors come here every year. Most go to Inis Mor, a lot go to Inis Oirr and very few go to Inis Meain. Thats why we think of it as the real Hidden Ireland.
All three islands teem with wildflowers and birdlife and are also considered by many to be the last bastions of ancient Irish culture.

Celtic Music Workshops and Lessons in Tucson For those musicians in the Tucson area, mark your calendars for August 26 an 27.  (For the Aran connection, read on....)
That's when you'll have the opportunity to take private lessons and/or workshops with the internationally renowned, award-winning musicians who make up the groups Cara and 2duos. The bands are performing on Saturday August 29, at the Temple of Music and Art (for ticket information, see www.inconcerttucson.com). The bands are arriving in town early and will be available to teach private lessons and workshops on Wednesday August 26 and Thursday August 27. Private lessons are $40/hr and workshops are $30 each. For more information, or to register, contact me at melissaltatum AT yahoo DOT com. Please note these are not beginner workshops - students are expected to provide their own instruments and know how to play them. Whistles should be in the key of D. Wednesday Aug 26 (Cara only): Private lessons available from 10am - 12:00noon and from 2:00-4:00pm on bodhran, fiddle, guitar, flute & whistle Thursday Aug 27 (Cara + 2duos): private lessons and workshops Private lessons available from 10am - 9pm on bodhran, fiddle, guitar, bouzouki, vocals, flute & whistle Thursday workshop schedule (note: for fiddle, flute, guitar,and whistle, two teachers are available and the workshops will be divided into two skill levels where necessary) 4:30-5:45pm fiddle 4:30-5:45pm flute 6:00-7:15pm guitar 6:00-7:15pm bodhran 7:30-8:45 pm whistle All events will be held at Rountree Hall on The University of Arizona campus. Band biographies: CARA tour world wide with their unique interpretation of Celtic music. They are rooted in traditional music and song, but their own exciting compositions have received wide critical acclaim. While the two female lead singers are surely a hallmark of the band, the quality standard for instrumentals and arrangements is equally high. Cara combine their mastery of vocals, piano, fiddle, flute, guitar, bodhrán, uilleann pipes, accordion and concertina with a dry-witted and very entertaining stage presence. For more about CARA, check out the band's websites at www.cara-music.com/english/ and www.myspace.com/caralive 2duos consists of four well renowned and successful musicians from Europe - two from Scotland and two from Germany - all with a passion for Irish, Scottish and German folk music. Demonstrating that the musical culture and heritage of their home countries does indeed have lots in common, 2duos have been wowing both audiences and critics alike with their unique blend of German, Irish and Scottish tunes since their formation in December 2006. For more about 2duos, check out their websites at www.2duos.com/ and www.myspace.com/2duos Instructor biographies: Patricia Clark is studying for a BA in Irish music and Dance at the Irish World Academy of Music and Dance in Limerick. She taught at numerous festivals around Europe like Cambridge Folk Festival and Sidmouth Folk Week in the UK, Le Bono in France and many more. She also is a sought after teacher for masterclasses by musicians visiting Ireland. Toured with several international artists such as Altan, At First Light, Gráda and The Outside Track. Patricia plays fiddle and piano Aaron Jones was voted 'Instrumentalist of the Year' at the Scots Trad Music Awards 2005 and is also a member of award winning Scottish band 'Old Blind Dogs' - winners of 'Folk Band of the Year' at the Scots Trad Music Awards in 2004 and 2007. He is in great demand as both an accompanist and a singer and continues to work with some of the biggest names in traditional music. He is also a founding partner in traditional music resource www.tradmusic.com, which launched in 2002. As well being a Committee Member for the Musicians Union of Scotland and Northern Ireland he is also an official accompanist at the prestigious BBC Radio Scotland Young Traditional Musician Awards. Aaron sings and plays bouzouki and guitar. Claire Mann has established herself as one of the leading performers and teachers of traditional Irish fiddle and flute. She has toured extensively worldwide with bands Tabache, Croabh Rua, The New Shoes, Tom McConville and Christy O'Leary and is also a tutor of traditional music on the renowned RSAMD and Newcastle University folk degree courses. Claire sings and plays flute, fiddle, and whistle. Claus Steinort started playing the Irish Flute in 1989. He has been touring and recording with several bands, including Dereelium, Steampacket and Cara. Claus has spent a lot of time in Ireland in the 90s, including a semester in Dublin, where he studied applied languages. Claus has a diploma degree in applied languages (technical translation). He has taught Irish flute playing since 1996 at various occasions, mainly for the Uilleann Pipes Society of Germany, at Wimborne Folk Festival (UK) and various Folk Weeks across Germany. He also started playing the Uilleann Pipes in 2004 and is a master of ornamentation and interpreting a tune. He also plays and teaches tin whistle. Juergen Treyz was classically trained on the piano and graduated in Jazz Guitar at the MGI Munich. He also got involved with medieval music as well as folk music from all over Europe. He combines his knowledge of harmonic structure with a sure taste in styles and is one of the most distinctive guitar players and arrangers in Celtic Music today. He also works as a composer for audio books, TV series, theatre plays and movies. He runs his own recording studio named artes Musikproduktion and produced a vast amount of CDs, both with his own music and as a producer for various bands. Rolf Wagels started playing bodhrán in 1993 and was rated among the best bodhrán players of continental europe. He teaches all over Germany and is a member of the highly praised trad irish bands Cara, DeReelium and Steampacket. In June 2005, he was the first non-irish teacher at the renowned Bodhrán Summerschool "Craiceann" on Inis Oirr (Aran Islands) and was asked to return every year since. His style is a mixture of traditional pulse orientated playing and the more extroverted top end style. Webpage: http://www.bodhran-info.com and http://www.myspace.com/rolfwagels Gudrun Walther was classically trained on the fiddle, but picked up folk music also from a very young age and combines the two styles in her fiddling. She studied in master classes with many internationally known fiddlers from Ireland, France, Germany and Scandinavia, and makes her living as a touring musician since 14 years. Gudrun is also a popular teacher for fiddle as well as for ensemble playing and arranging.

Try Blowing on it:
This cartoon, from Alex Gregory at "The New Yorker" (May 11, 2009), is a pause for fresh air.

The engineers also faired over the observer's cockpit at the front of the fuselage, and enlarged the pilot's cockpit to allow Alcock and Brown to sit side-by-side. The Vimy was then disassembled and crated, to be shipped across the Atlantic to Newfoundland. (The attempt would start from there because the prevailing winds blew from West to East, making a crossing in that direction easier and needing less fuel.)




On arrival in Newfoundland, the aircraft was reassembled at Lesters Field. The photographs below show various stages in the process, which took 14 days.








While this was being done, the field was being prepared for take-off. A surviving receipt from one Charles F. Lester to Captain Alcock shows a total charge of $1,345.10 for the work, including 2,079 hours of labor at 40c per hour and 330 hours at 25c per hour! It's interesting to compare those figures to today's minimum-wage legislation - they're not far off, in terms of relative value.

The field was still very rough, and Brown wasn't sure that the heavily-laden Vimy could take off successfully. In an attempt to save weight and reduce rolling resistance, he removed a nose-wheel that had been attached to the front skid. This was to have interesting consequences on the other side of the Atlantic.

Alcock had a stroke of luck during the reassembly process. The Handley-Page team (see above) were having trouble with what they thought was a defective radiator, which kept clogging. Alcock realized that the real problem was not the radiator, but the local water, which was heavily mineralized and carried a great deal of sediment. He promptly arranged that the water to be used in the cooling system of the Vimy's engines would be filtered several times, then boiled. This removed the sediment and minerals from it. The Handley-Page team were still waiting for their new radiator when Alcock and Brown took off!

The preparations for the flight were marred by poor weather. There was no hangar to protect the Vimy from the elements, and curious sight-seers tried to take pieces of the aircraft as souvenirs. This was not very helpful. The ground crew had to mount constant guard over it, sheltering from the rain and bitter cold in the packing-crates in which it had arrived.

The aircraft was finally ready. Locals gathered around for this photograph before departure on June 14th, 1919. It bears Brown's signature.




Alcock and Brown got into their flying suits. They are shown here before departure.




The Vimy took off on its long journey at 1.45 p.m. local time.




Alcock and Brown carried a radio transmitter, and were supposed to radio their position regularly: but this malfunctioned three hours into the flight. For hours there was uncertainty as to whether or not they were safe, as this New York Times headline shows.




During the flight, engine and wind noise make it almost impossible for Alcock and Brown to hear one another speak. Brown communicated navigation information to Alcock by writing it in his notebook, then showing the page to the pilot (using his flashlight at night to illuminate the page). An example of one such message in his notebook is shown below.




The flight was long, arduous and very hazardous. After a few hours, fog appeared, and they had no choice but to fly into it. The fog was so thick that they couldn't even see their engines, and their sound was muffled. Alcock had no modern blind-flying instruments, as can be seen in this photograph of the Vimy's cockpit.




Alcock had to fly as straight and level as possible, hoping for a patch of clear visibility now and then so that Brown could check their position. None appeared for some time. As darkness fell, the inner exhaust pipe of the right-hand engine split, spitting flames into the slipstream. To make matters worse, the batteries powering the electric heating elements in their flying suits ran down. Alcock later remarked that they "froze like young puppies", even more so because they could not move about in the cramped cockpit.

Alcock tried to climb above the fog to enable Brown to get a sun-sight, but they found cloud above the fog. Entering a thick fog-bank, the plane dropped in a spiral almost to the surface of the sea before Alcock could regain control and climb once more. The fliers refreshed themselves with sandwiches, beer and whisky. At last Brown was able to get a shot of the setting sun, right behind them, so that they were reasonably confident that they were on course. They flew on into the night.

Shortly after midnight Brown was able to get a few star sights, fixing their position again. They had covered 850 nautical miles, and had just over 1,000 still to go. They ate more sandwiches, and drank coffee laced with whisky. Alcock later commented, "I looked towards Brown, and saw that he was singing, but I couldn't understand a word." One presumes the singing was the result of high spirits, rather than the liquid variety!

At about 3 a.m. they hit heavy weather once more, with thick cloud. The Vimy went out of control, falling towards the sea in a vertical dive. Alcock only just managed to level out before they hit the water. He commented, "The salty taste we noted later on our tongues was foam. In any case the altimeter wasn't working at that low height and I think that we were not more than 16 to 20 ft. above the water."

Snow began to fall, building up on the wings and fuselage, and ice began to form on the engines, blocking the air intakes and carburetor air filters. According to Brown's later accounts, he made several trips out onto the wings to clear the ice and snow away from the engines. However, others have disputed this, noting that Brown never wrote of such efforts in his hourly log entries, and pointing out that he had a badly injured, partly crippled leg which would have made such movements all but impossible. Since Alcock died soon after the flight, there was no evidence to support or contradict Brown's subsequent claims. The controversy has continued to this day.

Icing continued to bedevil them through the night. Daylight came at 6.20 a.m., by which time the lateral controls had iced solid. Alcock tried to take the Vimy higher, to allow Brown to get a sun sight and fix their position. At 7.20 a.m., at a height of 11,800 feet, he was able to do so, and reported that they were on course. However, it was imperative that they find warmer air to prevent the controls from freezing. Alcock took the Vimy down into the clouds once more. At 1,000 feet, the warmer air melted the ice, making flying easier.

At about 8 a.m. they sighted Ireland, coming in over the town of Clifden near Connemara. They circled the local radio station, with an inviting green meadow nearby. They saw people waving from the radio station, which they thought was a welcome. In reality the waves were an attempt to warn them that the 'meadow' was not a meadow at all, but Derrygimla Bog, far too soft for them to land: but the fliers could not know this.

Alcock brought the Vimy down on the bog at 8.40 a.m. It ran for only a short distance before the front skid (minus its wheel, which Brown had removed in Newfoundland) dug into the bog and flipped the aircraft onto its nose, breaking the lower wings and damaging the front of the fuselage. Brown reportedly turned to Alcock and asked, "What do you think of that for fancy navigating?" Alcock replied, "Very good!", and the two shook hands.






Alcock and Brown became instant heroes. They traveled to England (not in their Vimy, which was retrieved from the bog and repaired), and arrived at the Royal Aero Club in London. There they delivered to General Holden, vice-president of the Club, 197 letters entrusted to them by Dr. Robinson, the Postmaster in Newfoundland. They carried stamps overprinted in Newfoundland to indicate that they were being delivered by air. The letters were rushed to the nearest Post Office, franked and forwarded. Those stamps and covers are today amongst the most valuable philatelic collectors' items, being the first trans-Atlantic air mail. (They're also among the most forged - fakes are rife.)




Alcock and Brown were knighted by His Majesty George V, and received the £10,000 Daily Mail prize, presented to them by the then Secretary of State for War and Air, Winston Churchill.




They also received a prize of 2,000 guineas (equal to £2,100) from the Ardath Tobacco Company, and another of £1,000 from Lawrence R. Phillips for being the first British subjects to fly the Atlantic. They gave £2,000 of their prize money to the Vickers and Rolls-Royce mechanics who had helped to prepare the Vimy for the flight.

Their Vimy aircraft was repaired by Vickers, and donated to the Science Museum in London later that same year. It has been on display there ever since.




One of the original propellers was not returned, however. It is today used as a ceiling fan in Luigi Malone's Restaurant in Cork City, Ireland.

Sir Arthur Brown married soon after the flight, and he and his wife left for the USA on honeymoon. Sir John Alcock did not long survive the flight. He was killed in an aircraft accident at Cottevrard, France, on December 18th, 1919, and was buried in England.




Brown never flew again. He survived World War II, dying in 1948 in Swansea, Wales.

Alcock and Brown inspired those who followed them. Charles Lindbergh, who made the first solo crossing of the Atlantic from New York to Paris in 1927, said when he landed in Paris, "Alcock and Brown showed me the way." Sadly, in the USA, they are almost unknown today. Many Americans assume (or are misinformed) that Lindbergh was the first to fly non-stop across the Atlantic. He certainly made the first solo crossing, and the first between New York and Paris, but not the first non-stop Atlantic crossing.

Alcock's and Brown's flight was re-enacted in 2005, when the late Steve Fossett and Mark Rebholz flew a replica Vickers Vimy from Newfoundland to Ireland.




It was the third and last of the great Vimy historical flights to be re-enacted by this replica aircraft. Further details may be found on the Vimy.org Web site.

The video clip below shows the replica Vimy in flight earlier this year. If it seems slow to you, remember that the Vimy's top speed was only 100 mph - no faster than many cars on our roads today, and slower than quite a few of them!

By Lorna Siggins and Jem Casey

SOME NINE decades after the British aviators John Alcock and Arthur Whitten Brown flew across the Atlantic and landed in a Connemara bog, their historic non-stop flight was celebrated with an air show in Clifden, Co Galway, at the weekend.

In April 1913 (renewed in 1918), the Daily Mail offered a prize of £10,000^[4] to "the aviator who shall first cross the Atlantic in an aeroplane in flight from any point in the United States of America, Canada or Newfoundland and any point in Great Britain or Ireland" in 72 continuous hours".

The flight nearly ended in disaster several times owing to engine trouble, fog, snow and ice. It was only saved by Brown's continual climbing out on the wings to remove ice from the engine air intakes and by Alcock's excellent piloting despite extremely poor visibility at times and even snow filling the open cockpit. The aircraft was badly damaged upon arrival due to the attempt to land in what appeared from the air to be a suitable green field but which turned out to be the bog on Derrygimlagh Moor, but neither of the airmen was hurt.

The world's only "formation" wing walking team, a jet display and a visit by a replica of the Vimy Vickers model used by Alcock and Brown were among highlights of the event atthe weekend, hosted by Connemara Chamber of Commerce.

"Today we take transatlantic travel for granted, but in 1919, these men undertook a dangerous, life-threatening trip which in time opened the skies for us all," the chamber said in a statement.

"Imagine for a moment the hub of activity that was Connemara 90 years ago when these two men literally dropped from the sky into the bog, and were able to send a message from Marconi's wireless radio station to inform London they had made it across the Atlantic - thus assuring themselves their rightful place in history," said the chamber of commerce statement.

They flew a modified Vickers Vimy IV twin-engined bomber powered by two Rolls-Royce Eagle engines, each of 360hp, taking off from Lester's Field in St. John's, Newfoundland at around 1:45pm, June 14, 1919

The aircraft crashed on landing (53°26′N 10°01′W / 53.433°N 10.017°W / 53.433; -10.017) in a bog near Clifden in Connemara, Ireland ^[7], at 8:40am on June 15, 1919, crossing the coast at 4.28pm. They flew 1890 miles (3040 km) in 16 hours 27 minutes, at an average speed of 115 mph (185 km/h).^[8] The altitude varied between sea level and 12,000 ft (3,700 m) and 865 gallons (3,900 L - assuming imperial gallons) of fuel were on board.

An Alcock and Brown exhibition, by Connemara historian Kathleen Villiers-Tuthill, and a ground display by the Defence Forces was also part of the programme.

The Vimy Vickers replica was flown from the Brooklands Museum in Surrey, England, to Connnemara by John Dodd and Clive Edwards, landing at Galway Airport before flying west to Clifden.

Two memorials commemorating the flight are found near the landing spot in County Galway, Ireland. The first is an isolated cairn four kilometres south of Clifden on the site of Marconi's first transatlantic wireless station from which the aviators transmitted their success to London, and around 500 metres from the spot where they landed. In addition there is a sculpture of an aircraft's tail-fin on Errislannan Hill two kilometres north of their landing spot, dedicated on the fortieth anniversary of their landing, June 15, 1959.

A third monument marks the flight's starting point in Newfoundland.

A memorial statue was erected at London Heathrow Airport in 1954 to celebrate their flight. There is also a monument at Manchester Airport, less than 8 miles from John Alcock's birthplace. Their aircraft (rebuilt by the Vickers Company) can be seen in the London Science Museum in South Kensington.

A number of teams were vying to win the Daily Mail prize (one of many aviation prizes awarded by that newspaper). The first attempt was launched from England. The Short Brothers aircraft company had produced the first prototypes of the Short Shirl torpedo-bomber towards the end of World War I.

A Shirl was modified with extended wings and a huge external fuel tank to produce the Short Shamrock, of which only one was built. The underslung fuel tank can be seen in the photograph below.

The Shamrock was powered by a Rolls-Royce Eagle VIII engine, which was one of the most reliable aircraft engines of its day. Carrying a total of 435 gallons of fuel, it had a theoretical range of over 3,000 miles.

On April 18th, 1919, the Shamrock took off from Eastchurch in England to fly across the Irish Sea to The Curragh, Ireland, on the first leg of its trans-Atlantic flight attempt. Unfortunately, the engine failed 12 miles out to sea. The pilot, Major J. C. P. Wood, attempted to glide back to land, but was forced to ditch the aircraft in the sea a mile off Anglesey. The aircraft remained afloat, and was towed to the beach, but could not be repaired quickly. After another team successfully flew the Atlantic, it was dismantled.

"The Senator Sure Knows How to Pick an Investment." say his enemies at the Wall Street Journal

Editorial

Irish property prices have plummeted since 2002. But a "cottage" in County Galway owned by Connecticut Senator Chris Dodd has tripled in value during the same period, according to a financial disclosure form filed by the Senator this month.

There are two possible explanations for this remarkable turn of fortune. Maybe Mr. Dodd is luckier than a leprechaun. Or could it be that he paid well below the market price when he bought out a co-owner in 2002 and had undervalued the property accordingly? If it's the latter, then Mr. Dodd received a "gift," in IRS parlance, and should have declared it on his financial disclosure form that year. He did not. Oh, and by the way, the seller at that low, low price has been the business partner of a man for whom Mr. Dodd lobbied to receive a Presidential pardon.

It's also been nearly a year since a former loan officer at Countrywide Financial charged that the mortgage lender had classified Mr. Dodd as a "very important person" (a.k.a., a "friend of Angelo" Mozilo, Countrywide's then-CEO). As such, Robert Feinberg said, Mr. Dodd received -- and knew he'd received -- preferential rates and fees on two mortgages he and his wife refinanced in 2003. As a power on the Senate Banking Committee, he also knew this was a conflict of interest. This was the era when Countrywide originated and then sold to Fannie Mae high volumes of subprime loans.

The SEC charged Mr. Mozilo with fraud and insider trading earlier this month, and the Los Angeles Times reported in May that there is an FBI investigation which "includes a probe of [Countrywide's] role in an influence-peddling scandal involving" Mr. Dodd. The Senate Ethics Committee won't comment on its own investigation of almost a year.

Mr. Dodd denies receiving any special treatment, and nearly a year ago he promised to release the Countrywide mortgage documents and clear up the matter. We are still waiting, though he did attempt to placate the Connecticut press with a peek-a-boo release of a few select documents and a review by his own lawyers in February.

Now the Irish cottage on 10 scenic acres is bringing more trouble. At the start of the Irish real estate boom in 1994, Mr. Dodd bought the property with William Kessinger for $160,000. Mr. Kessinger has been a business partner of Edward Downe, who is a longtime friend of Mr. Dodd's. In 1986 Messrs. Dodd and Downe owned a condominium together in Washington. In 1993 Mr. Downe pleaded guilty to insider trading and securities fraud and in 2001, as Bill Clinton was preparing to leave the White House, Mr. Dodd successfully lobbied to get his friend a pardon.

The following year, 2002, Mr. Dodd bought out Mr. Kessinger's two-thirds share in the house and became the full owner. Mr. Dodd reported to the Irish government that he paid Mr. Kessinger $122,351, and Mr. Dodd says that a bank appraisal that same year valued the property at $190,000. From 2002 to 2007 Mr. Dodd reported its worth at between $100,001 and $250,000 on his annual Senate financial disclosure form.

But Hartford Courant columnist Kevin Rennie began digging this year into the mismatch between what Mr. Dodd paid to Mr. Downe's business partner to become a full owner and what the property in Ireland was likely worth in 2002 amid the Irish land boom. Last week, when Mr. Dodd filed his annual financial disclosure form, it included a new appraisal from the same appraiser putting the current value of the house at $658,000.

In an effort to explain the gain despite the fact that the Irish housing market has since gone south, a spokesman for the Senator said that "The value of the cottage, or of Irish real estate generally, isn't something that the Dodds have thought much about." However, according to Galway County records, Mr. Dodd was so uninterested in the value of those 10 acres that he tried to subdivide the property in 1998 and put up another house. No doubt because he had no idea what it was, or would be, worth.

The Senate's financial disclosure forms are supposed to be a tool of honest government, and former Senator Ted Stevens was indicted for allegedly false disclosures. Mr. Dodd's miraculous property reappraisal is further grist for Senate and Justice investigators -- and especially for voters in 2010.

By Paul Krugman of the New York Times
"What," asked my interlocutor, "is the worst-case outlook for the world economy?" It wasn't until the next day that I came up with the right answer: America could turn Irish.
The slogan "Erin go bragh," usually translated as "Ireland forever," is traditionally used as a declaration of Irish identity. But it could also, I fear, be read as a prediction for the world economy.
There's more

Speaking Synge

Stephen Gabis comes across like speech therapy. That's because Mr. Gabis is a go-to dialect coach whose craft can be heard on Broadway and beyond.
He just did a production of "The Playboy of the Western World" for Queens College, NY. It's one of the most difficult things. I find it tougher than Shakespeare, that particular play by John Millington Synge.
He went to the Aran Islands and literally listened to people through keyholes. English was the second language. Most of them spoke Irish Gaelic first, and the specific Gaelic of that province, of Connacht. It's written in convoluted language. You can't say "I love you." You say things like [speaking in an Irish accent], "It is to you I might be thinking of giving love next Thursday if I'm not milking the cows and stuck somewhere because I drank too much." [back to an American accent] It's a real roundabout way of speaking. It's tonal, like Chinese.
WITH talk of diphthongs and tongue positions, a dialogue session with  His fluency with accents helps make the rounded vowels of "The Seafarer" or the dropped r's of "To Kill a Mockingbird" sound authentic enough to sometimes fool even native speakers of the represented regions.
Read the full NYTimes profile here

A wake was probably held on April 21, 1869, in a cramped walk-up at 97 Orchard Street. A 5-month-old girl, Agnes Moore, had died that morning of malnutrition. Her Irish immigrant parents, Joseph and Bridget, may have invited the German immigrant neighbors in the building and some co-workers from the saloons and restaurants where Mr. Moore worked to visit and mourn, as well as the Catholic priest who had baptized Agnes.